I've just completed my first week of instruction at Maine Media Workshop, it was also my first time to the great state of Maine. I had a wonderful time during the week with some really great students. I'd like to thank the staff at MMW for running a wonderful venue and making me feel so welcomed. I would also like to extend a special thanks to my class assistant Jen, thanks so much for all your help!
The photo at the top of the post is from a light demonstration while on location at the Lincoln Center school in Rockland, ME. I did this photo in the small theater at the school, I find that a lot of students don't think about including a strobe within the actual frame of their photo.
I used two SB-800's, I fired them using the CLS system build into my Nikon D-700, WB-daylight. The strobe at the rear of the photo had a full cut CTB (color temperature blue) gel on it and was fitted with a grid. The front light is a FourSquare™ boomed overhead and slightly forward of the subject. You can see the set-up in the image below.
Seated in the theater in the production image above is Peter, one of the 4 models we had available for the students to photograph while at this location.We also made a visit to Firefly Restorations in Hope, ME. Peter stood in front of this wonderfully restored Fire Truck giving me his best Jack Nicholson. Peter is lit with a single SB-800 with a full cut CTO on it, WB-daylight.
The photos below show another lighting demonstration we did in class one day. Anthony shown here, needed a new photo of himself for this coming seasons ski pass. I used the chalkboard in the classroom as the background for his portrait. The key light was an SB-800 inside of my FourSquare™ clamped to an overhead pipe. I had 2 SB-800's placed behind and to each side of Anthony for the kickers, these were fitted with Full CTO gels and barn doors which help prevent flair into my lens. I also clamped another SB-800 onto the chalkboard using a Justin Clamp, this flash was also fitted with a full CTB gel and a foam cutter to prevent any forward spill onto the back of Anthony.
To round out the shot, I used an Orbis Ring Flash for some fill. The ring flash is a wonderful tool to use when adding some fill. Here is the set up for the photo shown above.
3 comments:
David - I always enjoy and learn from your posts. I am curious what the setting might have been for the flash in the FourSquare and what f-stop you were getting?
Hi Rick: I really don't keep track of such information, for this reason. I first make a creative choice as to what f-stop I want to use and than adjust the power of the flash to give me what I need.
It is more about holding to a creative vision rather than the flash tell you what f-stop to use. DT
David - I agree. I select f-stop first and adjust light from there.
I did not ask my question very well. I am curious from a technical output perspective how much light a single SB could put out through a fairly large box like the FourSquare at that distance.
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